Deep Mediatization dalam Jurnalisme Satire: Meet Nite Live Metro TV, Kritis atau Viralis?
Keywords: deep mediatization, jurnalisme satire, wacana multimodal, Meet Nite Live, Metro TV
Abstract
Jurnalisme satire merupakan fenomena yang semakin berkembang dalam lanskap media modern. Salah satu program yang merepresentasikan tren ini adalah Meet Nite Live yang disiarkan oleh Metro TV. Program ini menggabungkan elemen berita, wawancara, dan humor sarkastik dalam membahas isu-isu terkini di Indonesia. Artikel ini menganalisis bagaimana Meet Nite Live menggunakan strategi jurnalisme satire dalam mengritik pemerintah, bagaimana aspek deep mediatization berperan dalam penyajian kontennya melalui platform digital, serta agenda apa yang diusung oleh Metro TV melalui program Meet Nite Live. Metode Analisis Wacana Multimodal Kress & Leeuwen digunakan untuk mengeksplorasi salah satu punchlines Meet Nite Live dengan topik terhangat selama bulan Maret 2025 yang ditayangkan di akun TikTok resmi Meet Nite Live, @meetnite.live. Artikel ini memberi hasil bahwa Meet Nite Live adalah praktik bagaimana jurnalisme satire beradaptasi dengan logika deep mediatization. Dengan memanfaatkan multimodalitas, program ini berhasil memposisikan diri sebagai media kritik sosial secara menghibur sekaligus memanfaatkan logika media sosial untuk pemenuhan konten yang ekspansif, cepat, interaktif, dan viral.
References
Barnard, S., & Boukes, M. (2024) The Oliver Twist: Why young adults watch Last Week Tonight with John Oliver. The Communication Review 27:3, pages 256-273.
Baym, G. (2017). Journalism and satire: Transparency and accountability in an age of spin. Journalism Studies, 18(1), 1-17.
Becker, A. B., & Bode, L. (2017). Satire as a source for learning? The differential impact of news versus satire exposure on net neutrality knowledge gain. Information, Communication & Society, 21(4), 612–625. https://doi.org/10.1080/1369118X.2017.1301517
Broersma, M., & Eldridge II. (2019). Journalism and Social Media: Redistribution of Power?. Vol 7, No 1 (2019): Journalism and Social Media: Redistribution of Power?. https://doi.org/10.17645/mac.v7i1.2048
Brugman, B. C., Burgers, C., Beukeboom, C. J., & Konijn, E. A. (2021). From The Daily Show to Last Week Tonight: A Quantitative Analysis of Discursive Integration in Satirical Television News. Journalism Studies, 22(9), 1181–1199. https://doi.org/10.1080/1461670X.2021.1929416
Couldry, N., & Hepp, A. (2021). The Mediated Construction of Reality: Society, Culture, and Mediatization. Polity Press.
Doona, J. (2020). News satire engagement as a transgressive space for genre work. International Journal of Cultural Studies, 24(1), 15-33. https://doi.org/10.1177/1367877919892279 (Original work published 2021)
Fadhilla, I., & Almufarid, A. (2021). Konstruksi isu kontra kebijakan pemerintah selama pandemi Covid-19 di Indonesia pada komik strip Mice Cartoon: Jurnalisme satire di media dalam jaringan. Jurnal Studi Jurnalistik, 3(2), 45-62.
Hepp, A. (2020). Deep mediatization: Media organizations and the social world. Routledge
Hjarvard, S. (2018). Mediatization and the Changing Authority of Religion. Media, Culture & Society, 40(1), 43-53.
Holt, K. (2019). Political satire, post-truth, and the limits of laughing about fake news. Journalism Studies, 20(5), 1-18.
Jewitt, C. (2013). The Routledge handbook of multimodal analysis (2nd ed.). Routledge.
Koivukoski, J., & Ödmark, S. (2020). Producing Journalistic News Satire: How Nordic Satirists Negotiate a Hybrid Genre. Journalism Studies, 21(6), 731–747. https://doi.org/10.1080/1461670X.2020.1720522
Kress, G., & van Leeuwen, T. (2001). Multimodal Discourse: The Modes and Media of Contemporary Communication. London: Hodder Education.
Kress, G., & van Leeuwen, T. (2006). Reading images: The grammar of visual design (2nd ed.). Routledge.
Manangka, D. (2016). Metro TV ‘Berbohong’, Salahkah Surya Paloh? https://rmol.id/read/2016/12/12/272153/metro-tv-berbohong-salahkah-surya-paloh diakses tanggal 30 Maret 2025 pukul 07.04 WIB.
Nicolai, J. & Maeseele, P. & Boukes, M. (2022). The “Humoralist” as Journalistic Jammer: Zondag met Lubach and the Discursive Construction of Investigative Comedy. Journalism Studies. 23. 1-21. 10.1080/1461670X.2022.2138948.
Noviani, R. (2018). Wacana Multimodal Menurut Gunther Kress dan Theo van Leeuwen dalam Udasmowo, Hamparan Wacana: Dari Praktik Ideologi, Media, hingga Kritik Poskolonial. Yogyakarta: Penerbit Ombak.
Ödmark, S. (2023). Moral Judgment and Social Critique in Journalistic News Satire. Journalism and Media, 4(4), 1169-1181. https://doi.org/10.3390/journalmedia4040074
Ödmark, S., & Nicolaï, J. (2024). Between Headlines and Punchlines: Journalistic Role Performance in Western News Satire. Journalism Practice, 18(9), 2317–2336. https://doi.org/10.1080/17512786.2024.2311308
Oeldorf-Hirsch, A., & DeVoss, C. L. (2019). Who Posted That Story? Processing Layered Sources in Facebook News Posts. Journalism & Mass Communication Quarterly, 97(1), 141-160. https://doi.org/10.1177/1077699019857673 (Original work published 2020)
Painter, C. (2022). Journalism ethics and political satire in Price, Sanders, & Wyatt, The Routledge Companion to Journalism Ethics. Oxon: Routledge
Peifer, J., & Lee, T. (2019, March 26). Satire and Journalism. Oxford Research Encyclopedia of Communication. Retrieved 2 Apr. 2025, from https://oxfordre.com/communication/view/10.1093/acrefore/9780190228613.001.0001/acrefore-9780190228613-e-871.
Ramadhan, I., F. & Achmad, A. (2024). Gaya Bahasa Humor Satire Politik Komedi Stand Up Comedian Bintang Emon Dalam Konten Reels Instagram. Jurnal Petanda Vol 6, No 2 (2024). https://journal1.moestopo.ac.id/index.php/Humaniora/issue/view/230
Rosdiana & Wahyunengsih. (2023). Satire Journalism: Semiotic Analysis of Pilpres 2024 Articles on Mojok.co. Jurnal Komunikasi Vol 17, No 2 (2023) https://doi.org/10.21107/komunikasi
Utomo, W., P., (2015). Menertawakan Politik: Anak Muda, Satire dan Parodi dalam Situs Mojok.co. Jurnal Studi Pemud@ Vol 4, No 1 (2015). https://doi.org/10.22146/studipemudaugm.36729
Zayani, M. (2020). Digital Journalism, Social Media Platforms, and Audience Engagement: The Case of AJ+. Digital Journalism, 9(1), 24–41. https://doi.org/10.1080/21670811.2020.1816140
Copyright (c) 2025 Irsanti Widuri Asih

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.